one knob, six moves. it pushes your signal into a tanh saturation curve for richer harmonics, layers in warm tube-style bias, then rolls the top end down so it seats like tape. past 100 it tips into a bitcrushed “overflow” breakdown.
tone−5…+5 db
a tilt eq pivoting at 800 hz, applied after the saturation. left is darker, right is brighter — one see-saw, always musical.
mix0–100%
a parallel dry/wet blend, phase-aligned so nothing cancels. lay grit under the untouched original — 50% is saturation you feel, not just hear.
loss0–100%
packet-loss dropouts on a timer, soft-edged so they never click. stereo-linked holes punch through the whole image — from subtle to fully glitched.
